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HOLLYWOOD TAKES A STAND
The role of film in society is quickly changing from a night at the movies to one in which audiences are educated and encouraged to get involved in social action. Many of this year's top films confronted issues head on. Best Picture, THE HURT LOCKER is just one of 20 nominated films with a social issue at its core, showing once and for all that it is possible to do good, make money and gain recognition.
Let's see the core issues each nominee takes on.
Features with a Message
The six domestic and foreign feature films listed below seamlessly weave a central social message through their storylines.

Socially-Relevant Shorts
These hard-hitting live action and animated shorts creatively tackle pressing social issues.

Docs on a Mission
A record 10 of 10 Oscar nominated short and feature documenaties spotlight powerful social themes. Many of these films also have social engagement campaigns that allow you to take action on the films' issues.

Read more about this year's top social issue films
AND THE WINNER IS...
This year's Oscars saw the shattering of the proverbial glass ceiling for female directors.
On the eve of International Women's Day (IWD), Kathryn Bigelow made history by becoming the first woman to win one of the top prizes—Best Director or Best Picture. Bigelow scored a double whammy with
THE HURT LOCKER, a suspenseful film that explores war as an addiction.
As destiny would have it, this year’s International Women's Day theme was “Equal rights, equal opportunities: Progress for all.” In an industry that’s still very much a boy’s club—only 9% of the top 50 grossing films of 2008 were directed by women, and just six of those films had a central female star or storyline—Bigelow’s win was a breath of hope.
Clearly, the Academy knew what was coming and asked Barbara Streisand to present the award. Streisand, passed up for an Oscar on her directorial hit PRINCE OF TIDES, has been a vocal critic of the lack of recognition for women in the entertainment industry. Streisand presented the award with a simple statement, “The time has come.” The organizers even cued the orchestra to play Helen Reddy’s song “I Am Woman” as Bigelow left the stage.
With contributions from Tara Finglas, Marisa Murgatroyd, and Michelle Anderson.
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